Premier Collections:
The Big Show, Volume 1
Liner notes written by Ivan G. Shreve, Jr.
Click to listen to a Microsoft WMA audio clip
Click to listen to a MP3 audio clip
"You're about to be entertained by some of the biggest names in show
business..."
November 5, 1950 saw the debut of what many observers at that time considered
radio's "last gasp": "The Big Show" - "ninety minutes with the most
scintillating personalities in the entertainment world." The National
Broadcasting Company mounted the expensive, star-studded extravaganza in an
effort to reclaim its former dominance on Sunday nights, decimated by both
television's rising popularity and the success of rival CBS in peeling off much
of NBC's former talent (Jack Benny, Edgar Bergen, Amos & Andy, etc.) in the
Tiffany network's legendary "talent raids."
With
a price tag of nearly $100,000 ($735,000 in 2003 dollars) per broadcast, "The
Big Show" presented a weekly mixture of comedy, drama and music from such guest
stars as Jimmy Durante, Ethel Merman, Danny Thomas, Groucho Marx, Fanny Brice,
Bob Hope, Eddie Cantor, Rudy Vallee, Judy Garland and Fred Allen - the latter
graduating to semi-regular/contributing writer status. In fact, each program
found the guests introducing themselves by name; the introductions completed
with a husky voice intoning "...and my name, dahlings, is Tallulah Bankhead."
Bankhead, a celebrated stage veteran renowned for her work in plays like "The
Little Foxes" and "The Skin of Our Teeth," served as the show's mistress of
ceremonies - proving to be both an apt foil for the program's guests and a
self-deprecating good sport for an endless series of "rivalry-with-Bette-Davis"
jokes. In explaining her motivation for agreeing to host a weekly radio series,
she told Newsweek Magazine "I have to live in the style, dahling, to which I'm
really accustomed." The "glamorous, unpredictable" Talloo also added two
memorable trademarks to the "Big Show" proceedings: announcing the network's
half-hour I.D. as an opportunity to "ring my chimes" and leading the show's
guest roster in a rendition of "May the Good Lord Bless and Keep You" at each
program's close.
The music for "The Big Show" was supervised by maestro Meredith Willson, who not
only oversaw the program's 44-piece orchestra and 16-voice chorus but cheerfully
played the part of Bankhead's stooge ("Thank you, Miss Bankhead, sir."). The
announcing chores were handled by old pros Jimmy Wallington and Ed Herlihy, and
the production-direction was by Devere Joseph (Dee) Englebach, a radio veteran
whose credits included "The Chamber Music Society of Lower Basin Street" and
"The Hallmark Hall of Fame." The jewel in the crown of "The Big Show" was
indisputably the fine, polished writing - supervised by "ace" comedy scribe
Goodman Ace (of "Easy Aces" fame) and staffed with the likes of George Foster,
Morton Green, Frank Wilson and Selma Diamond.
During its original radio run, "The Big Show" received glowing reviews in the
press; author Jim Cox quotes one critic as calling it "a perfectly wonderful
show - witty, tuneful, surprisingly sophisticated and brilliantly put
together...one of the fastest and funniest ninety minutes in memory." But back
then - as it is now - the public had the final say, and even though NBC
scheduled the program in a time slot so as not to interfere with the television
audience (estimated at about 8,000,000 viewers) it was difficult for "The Big
Show" to make a dent in the ratings, being regularly trounced by CBS' "The Jack
Benny Program." In the fall of 1951, the program valiantly attempted to goose
its numbers with a lavish publicity stunt that found the cast jetting off to
Europe to do broadcasts from London and Paris. (The ink-stained wretches of the
European press, however, weren't nearly as complimentary as their American
counterparts.) Struggling with a monstrously expensive budget and a lack of
sponsors to compensate for same, "The Big Show" limped through its second and
final season, finally throwing in the towel on April 20, 1952. It was estimated
that NBC ultimately lost nearly $1 million dollars on its ill-fated venture.
"The Big Show" has long been considered one of radio's biggest financial
failures but, listening to the program through 21st Century ears, the show will
surprise many an OTR fan; the program's writing remains top-notch, the
performers are at the peak of their craft, and the music remains sprightly and
entertaining as ever. What makes "The Big Show" mind-boggling is that it seems
inconceivable that a program of its scope could be put across today. Of course,
many thought it impossible back then, but host Tallulah Bankhead reassured
listeners that "all it takes is courage, vision...and a king-sized bundle of
dough." And with that, First Generation Radio Archives invites you to listen to
a courageous, visionary - and yes, expensive - program from Radio's Golden
Age; ten compact discs containing the first five shows of the series that,
thanks to expert transfers and complete audio restoration, make a
battered-and-bruised contender sound like a genuine champ.
First Show of the Series
The highlights of this inaugural program include a medley of songs from the
then-current Broadway musical "Call Me Madam," a tribute to George M. Cohan, a
recitation by actor Jose Ferrer from his motion picture hit "Cyrano de
Bergerac," and Fred Allen's Jack Benny spoof, titled "The Pinch Penny Program."
The performers are Danny Thomas (who sings "Take It Easy, Be Casual, Relax"),
Ethel Merman, Frankie Laine ("Man Gets Awful Lonesome"), Fred Allen, Jimmy
Durante ("It's Kind of Hard to Put It in Words"), Jose Ferrer, Meredith Willson
and his Orchestra, Mindy Carson ("A Rainy Day Refrain"), Paul Lukas, Portland
Hoffa, Russel Nype, and Tallulah Bankhead.
Sunday, November 5, 1950 - 90:00 - NBC, sustaining

Second Show of the Series
Host Tallulah Bankhead matches wits with the one, the only Groucho - who
creates a fictional sponsor called "Plebo" for the broadcast. A preview of
Warner Brothers' "Breakthrough" is presented, along with a performance of
Dorothy Parker's "Sentiment" and an edition of "You Bet Your Life." The
performers are Tallulah Bankhead, Groucho Marx ("Some Enchanted Evening"),
Meredith Willson and his Orchestra ("Stardust"), Frank Lovejoy, Ezio Pinza
("September Song"), Fanny Brice, Jane Powell ("It's a Most Unusual Day"), Jimmy
Wallington (announcer), Hanley Stafford, David Brian, and John Agar.
Sunday, November 12, 1950 - 90:00 - NBC, sustaining
Third Show of the Series
Host Tallulah Bankhead plays straight woman to comedians Jimmy Durante,
Eddie Cantor and Bob Hope and gets a critique on her acting from Evelyn Varden
in Patricia Collins' "A Matter of Perspective." Hope performs a monologue on
entertaining the troops in Korea and a "Tribute to America" is presented by Jose
Ferrer (who recites the Gettysburg Address) and Ray Middleton (who sings
"America, Live On"). The performers are Bob Hope, Ed Herlihy (announcer), Eddie
Cantor ("Josephina, Please Don't Lean-a On the Bell"), Evelyn Varden, Frank
Wilson (narrator), Jimmy Durante ("What is 'The Thinker' Thinking About?"), Jose
Ferrer, Meredith Willson and his Orchestra ("While We're Young"), Mindy Carson
("Looks Like a Cold, Cold Winter"), Perry Como ("Patricia"), Ray Middleton, and
Tallulah Bankhead (who, after running short of time in the first two shows,
finally gets to finish singing "Give My Regards to Broadway").
Sunday, November 19, 1950 - 90:00 - NBC, sponsored by RCA Victor and Anacin
Fourth Show of the Series
Host Tallulah Bankhead has a blind date with an admirer and gets comedy
advice from Fred Allen (Fred and Talloo perform the classic "Breakfast Couple"
skit) Jack Carson (who sings a duet with Talloo on "Baby, It's Cold Outside")
and Ed Wynn. Bankhead's admirer turns out to be Ed "Archie" Gardner, who invites
the cast to "Duffy's Tavern" - where Wynn analyzes the opera "Carmen," even
though opera star Lauritz Melchior is singing "Pagliacci." The performers are
Tallulah Bankhead, Fred Allen, Ed Wynn, Meredith Willson and his Orchestra
("Love is Such a Cheat"), Mindy Carson ("If I Were a Bell"), Lauritz Melchior
("The Prize Song"), and Ed Gardner.
Sunday, November 26, 1950 - 90:00 - NBC, sponsored by Ford, RCA Victor, and
Anacin

Fifth Show of the Series
Host Tallulah Bankhead trades barbs with comedienne Joan Davis and welcomes
Margaret Truman to the program. Fred Allen creates a radio discussion program
for the President's daughter, while Douglas Fairbanks, Jr. previews his latest
Columbia motion picture release "State Secret" and Phil Silvers ruminates on his
career in pictures. Bing Crosby and Bob Hope are heard on one of the
Chesterfield commercials. The performers are Douglas Fairbanks Jr., Ed Herlihy
(announcer), Fred Allen, Joan Davis, Margaret Truman, Meredith Willson and his
Orchestra ("This is It"), Mindy Carson ("The Touch of Your Lips"), Phil Silvers,
Tallulah Bankhead and The Sons of the Pioneers ("Cool Water").
Sunday, December 3, 1950 - 90:00 - NBC, sponsored by Ford, Anacin,
Chesterfield Cigarettes, and RCA Victor
The complete content of this
website, including all text, illustrations, and audio content © 2008 First
Generation Radio Archives. All Rights Reserved. The contents of this website may
not be duplicated or reproduced in any way, in whole or in part, without the
express written permission of the copyright holder.